Michael Webster recently uploaded an image of the program from the first production of Him to the Spring website.
Cummings often provides glimpses into the thinking behind his poetics in uncanny places, and here, we find a *WARNING* that points toward his thinking on play and how he hopes his audience will engage his work.
Though the warning is for his play, the advice seems very appropriate for new and seasoned readers of his poetry as well: “Relax, and give this PLAY a chance to strut its stuff—relax, don’t worry because it’s not like something else—relax, stop wondering what it’s ‘about’—like many strange and familiar things, Life included, this PLAY isn’t ‘about,’ it simply is.”
In my work in Animal Studies, play emerges again and again, and it resonates with ontological innovation. The *WARNING* uses animal tropes (“pounce,” “creep”) to characterize the PLAY, which points yet again to this animalist perception in language, almost as if language itself has its own agency.
And so, I see this program as a gem-of-a-find as it gives us a glimpse into Cummings thoughts on play.
Cummings’ “WARNING” is reprinted in Charles Norman’s biography The Magic-Maker (222-223, see 3rd edition).
Kennedy quotes this bit from the “WARNING”: ”Relax and give the play a chance to strut its stuff—relax, stop wondering what it is all ‘about’—like many strange and familiar things, Life included, this Play isn’t ‘about,’ it simply is. . . . Don’t try to enjoy it, let it try to enjoy you. DON’T TRY TO UNDERSTAND IT, LET IT TRY TO UNDERSTAND YOU” (quoted in Kennedy, Dreams 295).
Kennedy, Richard S. Dreams in the Mirror: A Biography of E. E. Cummings. New York: Liveright, 1980.
Norman, Charles. The Magic-Maker: E. E. Cummings. 1st ed. New York: Macmillan, 1958.
—. E. E. Cummings: The Magic-Maker. Rev. ed. New York: Duell, Sloan and Pearce, 1964.
—. E. E. Cummings: The Magic-Maker. 3rd ed. Boston: Little, Brown, 1972.
Aaron M. Moe, Ph.D.
Saint Mary’s College, Notre Dame